Thursday, September 30, 2010

It's all about the HAT


Today's image is inspired by Leslie; check out this and you will understand.

It may not be Russia, but Quebec City gets darned cold.
If only I could look this stylish when I am chilled to the bone.

(Photographed last October in old Quebec City (Vieux-Québec); thanks to Marie Otero for the fabulous texture.)

Tuesday, September 28, 2010

The Sad Case of Alice Irons


John Ogden to the left. Bertha Milnes to the right. For all eternity.

What do you think of family tree research? Have you been bitten by the genealogy bug? I have. It's fascinating, it's frustrating, it's ultimately satisfying. At times it's just a sea of facts -- names, dates, places. Other times you can't help but imagine the story behind the facts. Some make you smile, like the lifelong spinster who finally gets married when she's 74 years old; some make you go hmmmm, like my great great grandfather, John Windover, who outlived four wives. And then there's the sad. All the women who died in childbirth, all the stillborn babies, all the men who went to Europe to fight in WWI and never came home.

My family tree research had been frustrating due to the lack of information about my mother, Diane Chapell. Recently, however, I was finally able to confirm the actual names of my maternal grandparents. This has, of course, led to the discovery of oodles of relatives, most from the Sittingbourne area of England, as well as the area around Aberdeen in Scotland. My research has led to some surprising discoveries.

My great grandfather, George Edward Chapell, brought his wife and young children to Canada in 1912; his two younger brothers had come over the year prior, settling in Victoria, BC. George settled in BC as well and while his two younger brothers eventually returned to England, George stayed put. What absolutely surprised me, though, was the discovery that one month prior to George setting sail with his family, his older brother James also came to Canada. Not to BC though. James and his two sons (from his first marriage) settled right here in Toronto! A few months later, he was joined by his new wife and their two young children, as well as his teenage daughter.

That wife was Alice Irons. She married the widower James Chapell when she was 21 (he was 32) and immediately became the mother to his three children, then went on to bear him both a son and a daughter. Marrying James makes her my great great aunt, by marriage.

When James and his two oldest sons came to Canada in early 1912, Alice was obviously left behind to manage in his absence, with only the help of her teenage stepdaughter to handle the home, the finances, the children. A few months later, more stress. She packed them all up to make their voyage to Canada to join James in Toronto, arriving in mid-November in Quebec. What a chilly and dreary sight that must have been!

In 1928, Alice died. The cause of death was erysipelas (I had to google it), caused by diabetes. Very unpleasant. When I read the death registration earlier this month I was dumbfounded to learn that Alice was buried in St. John's Norway Cemetery. That cemetery is only minutes from where I now live, and the captain and I actually used to live kitty-corner from it back in the 1980s! It was quite remarkable to discover that these relatives, ones I never even knew existed before this year, had such a close geographical connection to me.

I couldn't resist. The captain and I hopped in the car that day and headed for the cemetery, stopping in the main office for directions to Alice's gravesite. Armed with a map, we finally found the right section and the right row, in an area without headstones, only in-ground plaques. I was warned by the man who helped me in the office that 1928 was a time of hardship and poverty and some graves therefore had no markers. Yes, I was forewarned, but I was still very saddened to discover that Alice Irons Chapell rests eternally in an unmarked grave.

John Ogden to the left, Bertha Milnes to the right. But Alice? You don't even know she's there.

I do understand that grave markers are not inexpensive, then or now, but I think it's terribly sad that generations have now passed and neither the children, nor the grandchildren that would have followed, have made the effort to mark the grave. I considered planting something there, in that barren patch of grass you see above, but I know it would just be mowed down.

Poor Alice. She was the mother and step-mother to five, brought her children across the ocean to settle in a new country, and died when she was only 47. She deserved better.

Tuesday, September 21, 2010

Seasons


Summer lay sprawled on its deathbed,
defiantly ignoring the inevitable.
All the while, the labour pains of autumn have begun.

==ldl==



(iPhone photo taken today, edited with the LoMob app)

Wednesday, September 15, 2010

The beauty of summer's end


It's been a satisfying day at the computer. I managed to complete a full backup, install the newest version of iTunes, do an Adobe update and still had time for some creativity. I took an older photograph of my garden plus a texture plus a clipping mask and turned it into what you see above. You can do it too. Here's how.

First, you'll need a photograph. Flowers are nice, if you have 'em. Next, you'll need one of Marie Otero's excellent textures. Finally, one of my clipping masks. Open up photoshop, edit your photo any way you want, apply the texture of your choice (I used "Grunge Paint", using the Overlay blending mode at 80% opacity on one layer then the same texture on a new layer, using the Color Burn blending mode at 60% opacity), then lastly, apply the clipping mask (I chose "beautiful" from my sampler #1). My last step was to add an inner shadow to the clipping mask layer, merely to make the word "beautiful" stand out. And that's it.

Like I said, you can do it too. I hope you try!

Saturday, September 11, 2010

Creative clipping masks

This has certainly been a roller coaster of a week here at the eatwritecreate household. Suffice it to say that we've weathered the bumps and are now enjoying some downtime.

The captain and I may be relaxing, but I haven't been able to stay away from the computer. I always find that when September rolls around, my creative juices really start to flow as the weather cools. And I have some exciting news on the creative front! Despite the downtime, I have still been quite busy behind-the-scenes on an upcoming collaborative artistic venture -- more on that soon! -- and I am so pleased to be able to give you a sneak peek. I have created two sets of clipping masks and have them here for sale! Each set features eight different clipping masks, all high resolution PNG files in various sizes. Buy both sets and save, too!

Clipping masks are very easy to use in Photoshop and Photoshop Elements. The important thing to remember is the layer order needed in order for the mask to work. If you can think of the clipping mask as the filling in a sandwich, you're set. The bottom layer is what will show through on the transparent areas of the clipping mask, while the top layer is what will replace the black areas of the mask. Take the above photograph, for example. It contains three layers: the bottom layer was white, the middle layer was the mask, and the top layer was the photograph. That's it! Here's how I did it:

*First, I opened a photograph, used my rectangular marquee tool (set at a fixed ratio of 1:1) to square it off, then messed about with it until it looked like you see above.
*Next, I duplicated the layer and then filled the bottom layer with white. That gave me two layers -- the top (which is the photo) and bottom (which is the solid white layer) of my "sandwich".
*Now for the middle of the sandwich. With the top layer selected (the photo) I then opened up the "create" clippng mask (found in sample pack #1; the "dream" clipping mask I used in my last blog post can also be found in this set) and using my Move tool, dragged it into my project, sizing it to fit. Because I had the top layer selected in my project before I did that, when I moved the "create" clipping mask onto my project it went right to the top of the layers palette. (If you are more comfortable using the Place command to add the clipping mask to your project, by all means do that instead.)
*After I sized the clipping mask to fit, I dragged it below the photograph. My sandwich is now complete. The top layer is the photo, the middle layer is the mask, while the bottom layer is solid white. Therefore, the white will show through the transparent areas of the mask (in this case, the transparent parts of the mask are the edges and the letters) while the photograph will replace all the black areas of the mask.
*The last step is to use the Clipping Mask command to make this all happen. In most versions of Photoshop and Photoshop Elements, you simply select the top layer (the photograph) and then go up to your Layer menu and look for the "Create clipping mask" command, or, in older versions, the "Group" command. It's so important to remember that it is the top layer you select, not the mask! The clipping mask function "clips" the layer you have selected to the immediate layer below it, which is why the layer order is so important.

The final result is what you see above. I chose to have a white bottom layer so that when this appeared here, on a white space, you would only see the rough edges. If I had chosen a different colour for my bottom layer, perhaps brown, it would look like this:



I don't know about you, but I prefer the white!

So.......Intrigued? Why don't you give it a try?


$6.00
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$6.00
Add to Cart

SAVE! CLICK BELOW TO BUY BOTH FOR ONLY $10.00!
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In the near future there will be several more clipping masks available, along with lots of other digital goodies. Stay tuned!

Saturday, September 4, 2010

Paris giveaway!


While the idea of whistling off to Paris on the next flight is mighty appealling, for many of us it's just an impossibility right now. In the meantime, while we're dreaming about the City of Light, how about a chance to win some cool Parisian ephemera? Interested? Of course you are!

As many of you know, Carmi Cimicata is our local go-to gal for all the info about the artsy side of Paris. Her new blog, Art Girl's Guide to Paris, is just the spot to soak up some local Paris colour and order a copy of her new book, a guide to Paris for the artistically-inclined. And now she's having a giveaway! Alas, it is not a trip to Paris, but for those of us who hoard collect paper ephemera, this is the next best thing. Carmi is giving away 10 packages (10!) of vintage Parisian ephemera along with other goodies like beads and rhinestones. You can get the details here, but you'd best hurry on over as I think she's only keeping this open for a few more days. Good luck!

Having never been to France (heck, I've never been to Europe even), I obviously couldn't illustrate this post with one of my own photographs. But I could create a collage. It was concocted using an old hotel luggage tag and postcard, both found online, plus the birds are from a brush set from Shadowhouse Creations. The texture is my own, as is the Eiffel Towel brush (which I created using a photograph Leslie took in Paris, which she generously shared with me) as welll as the "dream" clipping mask. (There are lots more clipping masks like this one, which will soon be available for you to purchase. News to follow in the near future!)

Wednesday, September 1, 2010

12 months: complete

september 2010


Last year, in late September, I decided that I wanted the challenge of creating calendar pages. I started with October, doing a blog post featuring a lovely pumpkin image as a freebie calendar page. I wasn't sure this was something that anyone actually wanted, but since I personally like calendars, I went with the idea. They had a slow start, but these pages have proved to be quite popular with both my Flickr and blog friends and so, encouraged, I've kept at it. And now a full year has gone by! Twelve months, just like that. You can see all the calendar pages in my freebies set on Flickr; that's where my free textures live too.

This has been an ongoing adventure for me. Remember February? Somehow, I managed to completely eliminate Saturdays for the entire month. Martha was the first one to notice. Good eyes, Martha! Along the way I've experimented with size and layout style, with fonts and subject matter. It seems flowers and nature have been the dominant theme, which has been entirely unintentional. I've completely enjoyed challenging myself each month to create this freebie for you. And you. And you and you and you. And you, over there in the corner, the one who never, ever comments. You know who you are.

As always, just click on the image to be whisked away to its page on Flickr, where you can download the file size of your choice. Flickr has undergone a makeover so, if you haven't been there for a few weeks, you may find the new look a tad strange. Here's how to navigate your way around the new layout: after you click on the image above, click on the Actions link (which you'll see right above the image), then click on View all sizes. You can download any of the sizes shown but I recommend you choose Original; it has the highest quality. Enjoy!